It’s always exciting to see African comics evolve away from the superhero genre into a more imaginative and artistically daring terrain. Comics such as Wrath House by the Kalu brothers, Kudzai Gumbo’s Paper Angels, Nkarim Chronicles, Setor Fiadzigbey’s Lake of Tears, Collyde Prime’s Misfits, Fumar Mota’s Disciples and Paul Louise-Julie’s Yohance among others capture this